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The Air Jordan 11 "Space Jam" is one of the more well respected Newest Jordans 2016 release of all-time. Jordan Brand will be celebrating the 20th Anniversary of Space Jam with a re-release of the classic Air Jordan 11 that was originally debuted by Michael Jordan in the film back in 1996. Jordan Brand will be making the 20th Anniversary Air Jordan 11 "Space Jam" more similar to the original pair Michael Jordan wore in the movie. 

One of the main differences will be a Concord Jumpman rather than the Royal Blue that we're custom to seeing. 20 years later, the "Space Jam" Air Jordan 11 will be receiving a remastered original makeover similar to what Michael Jordan wore in the movie of its traditional all-Black mesh and patent leather upper. Other details include a Concord Jumpman, White midsole and a translucent outsole, along with the Jumpman/Jordan inscribed on the tongue tab.

2016 Air Jordan Retros, The Air Jordan XI (11) Space Jam is rumored for a Retro release in December 2016. The shoes were originally worn by Michael Jordan in the 1995 NBA Playoffs and later in the 1996 movie titled Space Jam. The Space Jam 11s are black, blue, and white and first released on December 13th, 2000 ($125). It later released again on December 23rd, 2009 ($175) and are now rumored to release for the third time this coming December 2016. 

Now that the shoe has been confirmed as this year's Holiday Air Jordan 11 release, we can only hope that this purported pair has received the remastered treatment on the level of the award-winning Air Jordan 1 Shattered Backboard or Air Jordan 6 Maroon (and that it has "45" on the heel). the annual Christmas release that sets the world on fire (except maybe last year) could quite possibly be the much beloved Air Jordan 11 Space Jam. 

The release would be right on schedule too as the eponymous movie is set to celebrate its 20th anniversary this year as well. Combine that with Jordan Brand's willingness to get Warner Bros. and Bugs Bunny back on board, and it just sounds right.

Jordan Brand Cheap Jordans 2016 would celebrate the 20th Anniversary of Space Jam with a re-release of the classic Air Jordan 11 that was laced up by MJ in that film. The all-black Air Jordan 11 with a royal blue Jumpman has gone on to be one of the most revered Air Jordans ever created, and one could argue that the massive turnout for the 2009 re-issue is what sparked the annual campouts and general mayhem around the December AJ11 drops.

 It makes plenty of sense for Jordan Brand to bring out the Space Jams because of the aforementioned 20th Anniversary and the fact that every other OG Air Jordan colorway has already seen the light of day in recent years. we're inclined to agree considering the outsoles of almost every '09 Retro has yellowed pretty badly. 

We’ll bring you more updates on Space Jam 11s soon. Along with the Air Jordan 3 "True Blue" for Black Friday, Jordan Brand will release the Air Jordan 11 "Space Jam" this December. This shouldn't come as much of a surprise given that 2016 is the 20th Anniversary of Space Jam, and we already gave you a heads up on it in our 2016 Predictions from early January.
When they weren't rubbing shoulders with the likes of the dearly departed David Bowie and Miriam Makeba, the founders of Klûk CGDT were working arduously to set a new benchmark in fashion design across the African continent and beyond. The enduring, masterly composition of their work over the years has put them among Africa's fashion top brass.

Malcolm Klûk and Christiaan du Toit, founders of Klûk CGDT. Image source: BDlive
If you think of some of the most renowned fashion brands in the world, you will find that they were often the illustrious products of two complementary partners — Versace, Valentino, Dolce & Gabbana. These brands are the dual aesthetic emanating from the marriage of individual creative characteristics of each partner in a collaboration.

A similar duality is sensed in the charm of the Klûk CGDT brand. "We are known for our sharp tailoring as much as our romantic feminine side," say Malcolm Klûk and Christiaan du Toit, the brand’s founders.

Klûk and du Toit were early members of SA’s burgeoning fashion industry. Before they met, each designer had begun their own journey towards fashion fame.

After completing his education at the prominent Central Saint Martin’s College in London, Klûk went on to an apprenticeship under the extraordinarily talented John Galliano.

Du Toit graduated from the Cape Technikon’s fashion school, where he was proclaimed Most Promising Designer in 2001.

Both men have since proven to be far more than promising, adding to their individual accolades joint achievements from within the country and abroad. The duo met at a fashion show in 2001. Klûk’s label CGDT was a finalist in a design competition and du Toit was a featured designer.

Their collaboration — Klûk CGDT — was officially established in 2003.

Since then, the brand has achieved significant milestones that include showcasing their collections all over the world, earning them the African Fashion International African Designer of the Year award three times in a row, twice at shows in Nigeria and once in SA.

African Fashion International is a company established by businesswoman Precious Motsepe to promote African fashion brands.

"Christiaan is very detail-focused and concentrates on the finishing and finished product and Malcolm is more about the creative direction.

"We love that you have asked about our current muse because there are so many women that we love and (who) inspire us," they say.

"Elizabeth Taylor comes to mind immediately, as do Cate Blanchett, Grace Jones and Tilda Swinton. We love all of the women we dress and it would be bad manners to single anyone out."

However, they say there is "a certain redhead that has always been a muse for her grace and style and a certain radio personality and comedienne with a large personality that inspires us".

The brand creates separate prêt-à-porter (ready-to-wear), haute couture and bridal lines. Their latest ready-to-wear collection, Guilty Pleasures, is powerfully sophisticated and modern, carried through in long silhouettes, sheer fabrics and elegant textures. The collection was inspired by the idea of "indulging in a fantasy of design, quality, (and) another world. One of the key elements in this collection was questioning what is appropriate for modern evening or cocktail wear."

Designing for each line must require a certain level of care to avoid falling into a cycle of repetition.

"We play with fabrics and ideas and designs. We love history and art and travel and, usually, one or all sparks an idea for a collection. We like to encompass all the senses, so music and food and colour and texture, all add something to that range."

"Time is the biggest hurdle," they admit. "We are both obsessive compulsive and do not like to delegate. We like being involved in everything. The decision for 2016 is about focus, about more exclusivity, about choosing who and what we will work with."

A study sponsored by the representative body of the US fashion industry (CFDA) conducted by Boston Consulting Group proposes to significantly change the Fashion Week model by presenting clothes that are immediately available for sale. 


Burberry - Fall-Winter2016 - Womenswear - London - © PixelFormula

The Council of Fashion Designers of America (CFDA) is not taking sides and is merely highlighting that the general sentiment of professionals profiled for the study believe that “the time is favourable for change”.

The study suggests to present collections during the corresponding season and to end the six-month lag currently in force (spring presented in the fall).

The study also suggests to present clothes during or after Fashion Week that are immediately available for sale.

This study confirms a major trend seen at the most recent New York Fashion Week showcase in mid-February.

Rebecca Minkoff, Tommy Hilfiger, Burberry, Tom Ford, Diane von Furstenberg, Michael Kors, Proenza Schouler, Tory Burch, Paco Rabanne and Courrèges all announced that they were ready to follow this new path.

This change is primarily due to the fact that runway presentations have now becomes public events. Brands are finally accepting that their own runway shows are filmed and largely shared online.

Until now, this new interest and promotion could not be converted into sales because collections were not available before a number of months.

According to this new model suggested by the study, collections will still be prepared six months in advance, but will be presented in confidence to both buyers and certain media.

Only six months later will it be revealed to the press and the public.

Manufacturing lead times will therefore not be reduced.

This new operational model will also prevent giant fast fashion brands from introducing looks inspired by the runway before actual collections hit the market.

Still, the study warns that the goal of the study is not the make Fashion Week a purely commercial of marketable event.

The majority of people interviewed did not favor opening runway presentations to the general public and believes that not all clothing should be immediately available for sale.

Without engaging, the CFDA says it will “encourage designers to try new concepts.”

The movement towards the model of immediately available clothes is receiving strong reservations in Europe.

The organizers of Paris Fashion Week, the Fédération française de la Couture, and its Italian counterpart are also in opposition for the sake of creativity.
Samsonite International S.A. said on Friday it would buy Tumi Holdings Inc for $26.75 per share in an all-cash transaction valuing Tumi at $1.8 billion, as the world's biggest luggage group expands in the luxury market.

Hong Kong-listed Samsonite said it would finance the deal with bank loans and that the transaction was expected to close in the second half of the year subject to regulatory and shareholder approvals.

Tumi

Investors applauded the deal, sending Samsonite shares up to as much as HK$25.2, their highest since October. The stock trimmed gains but was up 2.3 percent by midday, outpacing a 0.6 percent gain in the benchmark Hang Seng Index .HSI.

"It is a perfect match in many aspects such as retail channels and regional mix, category mix and even price points," said Boyoung Kim, an analyst at BNP Paribas.

"It can bring huge synergies in the long term," she added.

The deal price represents a 38 percent premium to New Jersey-based Tumi's volume weighted average price of $19.34 for the five days up to and including March 2, the statement said.

Tumi's net sales increased 4 percent year-on-year in 2015 to $548 million, of which North America accounted for 68 percent. Its net income rose 8.6 percent last year to $63 million.

Samsonite Chief Executive Officer Ramesh Tainwala said the company planned to expand Tumi's presence in Asia and Europe, while strengthening its business in North America.

Morgan Stanley Asia Ltd acted as financial advisor to Samsonite, and Goldman Sachs & Co. acted as financial advisor to Tumi.

Apart from its flagship brand, Samsonite sells Lipault travel bags, high-end Hartmann suitcases, American Tourister luggage, and High Sierra and Gregory backpacks.

The company has been on an acquisition spree, buying last February Rolling Luggage, which operates stores in airports, and Italian travel luggage retailer Chic Accent in October.

Samsonite is also keen to expand its reach to offset slowing growth in China, which accounts for about 10 percent its global sales. The company has previously said it expected its China sales growth to halve from the second half of the year.
A replica of Sou Fujimoto's tree-filled House N was built at the top of the catwalkJapanese architect Sou Fujimoto provided the influence for the Spring Summer 2016 collection by Swiss fashion house Akris, which includes garments based on his buildings and sunglasses that mimic his eyewear.
Sou Fujimoto buildings as clothing by Akris SS16
Fujimoto's designs, including his blue glass shopping centre in Miami and the latticed 2013 Serpentine Gallery Pavilion, have been reinterpreted as outfits for the brand's latest collection.
Sou Fujimoto buildings as clothing by Akris SS16
Akris creative director Albert Kriemler met the architect while he was working on the Université Paris-Saclay, after being introduced by photographer Iwan Baan.
Sou Fujimoto buildings as clothing by Akris SS16
"I have been admiring Sou Fujimoto's work and his unique approach to architecture for quite some time," said Kriemler.
Sou Fujimoto buildings as clothing by Akris SS16
"There are architects whose vision is close to what fashion really is about – creating a relation between the body and the environment that helps human beings to live comfortably," he added.
"Sou is an architect who understands that we have more senses than just the eye."
Sou Fujimoto buildings as clothing by Akris SS16
Presented at the Grand Palais during Paris Fashion Week, each of the 49 looks in the collection is based on an architectural work.
Sou Fujimoto buildings as clothing by Akris SS16
The outfits were organised into small groups that represented specific projects, with some of the references more direct than others.
Sou Fujimoto buildings as clothing by Akris SS16
The show opened with a collection of black and white garments peppered with different sized holes, based on the gaps in the roof of Fujimoto's proposed House of Hungarian Music.
Sou Fujimoto buildings as clothing by Akris SS16
Images of the tree-filled House N were printed onto a shirt, trousers and a tunic made from silk crêpe, as well as an organza parka. Dresses made from strips of cork echoed the building's wooden floors.
Sou Fujimoto buildings as clothing by Akris SS16
A replica of the house, which features large punctures in its white facades, was also built at the top of the catwalk.


One set of garments was based on Fujimoto's red-ink sketches, which were recreated using a tweed pattern, and drawings of his 2013 Serpentine Gallery Pavilion were applied to a white tunic, T-shirt and bag.
Sou Fujimoto buildings as clothing by Akris SS16
The pavilion also influenced garments covered in a grid of shimmering square paillettes.
Sou Fujimoto buildings as clothing by Akris SS16
Three bright blue outfits mimicked the coloured glass fins of the Miami Design District retail complex completed earlier this year.
Sou Fujimoto buildings as clothing by Akris SS16
A tree-inspired tower in Taiwan – currently on hold due to safety concerns – was interpreted as translucent cotton knitwear with emphasised vertical lines.
Sou Fujimoto buildings as clothing by Akris SS16
The architect's other projects turned into clothes as part of the collection included the Naoshima Pavilion and Setonomori Houses in Japan.
Sou Fujimoto buildings as clothing by Akris SS16
"In Sou's work, I recognise a desire to comprehend and create volume, space and room, to intertwine nature and construction, to work with transparency and opaqueness that rings familiar to me," Kriemler said.
Sou Fujimoto buildings as clothing by Akris SS16
Even the accessories were influenced by Fujimoto – his signature spectacles were turned into mirrored sunglasses worn by all of the models.
Sou Fujimoto buildings as clothing by Akris SS16
Other architects that have influenced a fashion collection include Modernist Charlotte Perriand, whose life and work were referenced in a range by Louis Vuitton.






Spanish Fashion

Spanish Fashion is diverse, ranging from the classic Balenciaga to the modern and contemporary Loewe. Spain, as a country, has a lot to inspire and show on the catwalk. Our strong tradition making the headdresses used in Holy Week have been an inspiration for many designers like Dolce and Gabbana’s. Clothes by bullfighter provides a wonderful example of those placed on stage by Madonna on her last tour, Spain inspires and shines in the eyes of foreigners. Vogue Magazine América 

A rustic Iberian country that enchants designers worldwide, Spain is one of the leading leather manufacturing countries in Europe. Spanish leather is considered good and used by many countries. The main Spanish leather importers are Italy first, renowned for elegance in handbags and shoes, and France is our second largest importer and most of its brands using the leather. Portugal, China, Hong Kong, Germany, United Kingdom, Turkey, Morocco and the United States also use Spanish leather. Ágatha Ruiz de la Prada

Beyond the intensity and creativity, Spanish fashion is a powerful industry, a major driver of the economy, and important source of income. The strong international expansion of some brands, which are becoming world leaders in their segment, have acted as an economic engine, not only in the fashion industry but also the country. Fashion Inspiration ( Vogue British) 

Spain has an extraordinary potential for fashion, we are unique and yet reserved to show how much we can influence and dictate trends. Our designers need to show more Spain in their collections, our art inspired by Velasques, our castles need to be transformed into walkways, our food and cocktails representative of next season — all this needs to be explored and presented to the world. The fashion and everything around it generates billions. 

Pertegaz Manuel 

In Spain the fashion industry is one of the most visible exports to the world, not only of Spanish creativity, but also innovation and the external competitiveness of our economy. Companies in the industry have done a great job of internationalization. A great example of creativity and expanding is the Inditex group’s Zara brand, a chain of stores around the world with a basic idea of dressing well and paying less. All the models, trends, and large walkways you find in one of the Zara store is a revolution not only for creativity to do business, but also a fashion revolution. Fashion has no rules or barriers, and Zara shows and teaches that every season. Zara (Collection 2014)

Spain is a great leader when it comes to fashion for weddings, their bridal gowns are desired worldwide. Pronovias ranks first in the world rankings in the bridal industry, with customers in 93 countries, 163 stores and over 4,000 points of sale.

Balenciaga 

Not to mention other major Spanish companies and groups with relevant positions in the world ranking of fashion, such as Mango, H&M, Uneven, Cortefiel and many others with important international presence. Nuria Sardá 

Spain has also made, and makes, big names in the fashion world. In the early twentieth century, in 1907, the painter, textile designer and stage designer Mariano Fortuny (1871-1949) created the mythical Delphos dress, pleated silk tunics inspired by ancient Greece, made in very lightweight fabrics with small folds. This clothing enchanted great ladies of the international society, including the silent film stars and dancers like Isadora Duncan and Martha Graham, and was a great fashion design at the time. Mariano Fortuny 

In 1895 Guetaria (Guipúzcoa) Cristobal Balenciaga was born and became one of the greatest designers of haute couture of all time. He graduated from Taylor in Spain and developed its activities in Paris for three decades. He dressed royalty and the great movie stars like Ava Gardner, Elizabeth Taylor, and Grace Kelly Marlene Dietrich or Maria Felix inspires him to this day, and he has been the teacher of many of the great masters later. The museum “Balenciaga” in his hometown is a sign of its importance. Maya Hansen and Patricia Nicolás 

In the 60s the couture world was dazzled by Pertegaz Manuel, Pedro Rodriguez, Asunción Bastida and Elio Berhanyer. Pertegaz (1918-2014) was one of the great masters of haute couture world, and was the first Spanish designer who took his clothes to the elitist Fifth Avenue in New York. In 1960 he was invited, along with Valentino and Pierre Cardin, to the first European Fashion Gala, held in Mexico. In 1964, he presented his projects with great success in the Spanish Pavilion at the World Exhibition in New York. His suits are exported around the world and has received numerous awards throughout his career, culminating in the wedding dress design of Queen Letizia. Chic and casual Roberto Verino.(bravo bravo)

All these teachers helped build and export the Spanish fashion industry, and installed the industry and expanded it from the 70’s creating known designers like Paco Rabanne, Francis Montesinos, Adolfo Dominguez, Jesus del Pozo, Roberto Verino, Josep font, Custo Barcelona, ​​Sybilla, Purification Garcia, Antonio Miró, Agatha Ruiz de la Prada, Angel Schlesser, and Patricia Nicolas, Lydia Delgado, Victorio & Lucchino, Maya Hansen, Nuria Sardá, Amaya Arzuaga, Custo Dalmau and many others continue to drive the fashion and the economy of Spain. Adolfo Domínguez 

A good objective to start would be to transform Madrid into a mandatory stop on the trail of fashion week. Attracting major fashion designers parading their collections, I am in favor of opening our castles, rustic churches to great shows. This not only contributes to fashion, but also commerce and knowledge of our cities. Palace Alhambra in Granada Spain 

Spain has much yet to show, and what still is lacking is our designers parading our culture and history through our castles and ancient cities. Fashion and culture can be a wonderfully vibrant creation with extraordinary results for all.



Amsterdam-based ETQ has released the first part of it’s Spring/Summer 2016 footwear collection. With 34 styles across six different silhouettes the kicks introduce a fresh take of the season. Pastel shades and hexagonal prints dominate here while luxurious Italian Nappa leather, calfskin lining and thick rubber soles are employed throughout.

























Source: Hypebeast.com
Michael Kors Holdings Ltd and Ralph Lauren Corp were among the top-mentioned brands by social media users during New York Fashion Week, the result of a push by fashion houses to build buzz among fans who otherwise would not be exposed to their shows.


Both companies were among the top five brands that received the most mentions on Twitter Inc during the week, which occurs twice a year and is considered one of the industry's highest exposure events, according to marketing technology company Amobee Brand Intelligence.

Michael Kors received 70,902 related tweets and Ralph Lauren garnered 46,971 tweets from the start of Fashion Week on Feb 11 through its finish on Thursday.

The brands had elaborate social media strategies, which included behind-the-scenes videos on the messaging app Snapchat and live footage of shows on Twitter's streaming video service Periscope.

As of Friday, they were also among the top five mentioned brands at event venues on Facebook Inc's photo-sharing app Instagram, according to data from Ground Signal, a location-based social media search company.

Engaging with users of social media is increasingly important to designers because it helps them draw attention of consumers, not only buyers and press who attend the show.

The strategy is also a way to reach younger fans. According to Ground Signal, roughly a third of Instagram posts were from users under the age of 25.


“We know we need to be where our customer is, and today she is on all of these platforms consuming more content more quickly than ever before,” Lisa Pomerantz, a Michael Kors spokeswoman, said by email.

Chatter on social media sites can drive demand for designers' collections. Rebecca Minkoff, a maker of luxury handbags and clothing, promoted designs on several platforms under the hashtag #SeeBuyWear. Its New York-based store did four times its usual business following Saturday's show, a Minkoff spokeswoman said in an email.

Major fashion houses did not receive the same level of attention as widely known music artists with their own fashion lines. According to Amobee, rapper Kanye West's Yeezy line drew more than 800,000 tweets, and singer Rihanna's Fenty x Puma collection brought in over 140,000, topping the list when it came to Twitter traffic.

Other brands with significant Twitter mentions included PVH Corp's Tommy Hilfiger, Malan Breton and Coach Inc.
Złote Tarasy mall in Warsaw, Poland | Source: Waagner-Biro

Having been pulverised like a staggering 80 percent of this city during World War II, Three Crosses Square was nothing but a pile of bricks when Jan Kulczyk was born, a few years after the Nazis surrendered. In the headquarters the Communists erected overlooking that famous square, the same officials who had confiscated his father's companies in the wake of the Soviet invasion were installed to rule the destitute country with an iron fist. And so they did for the next four decades of his life.

Today, Kulczyk is a 63 year-old billionaire planning to open a sleek luxury shopping arcade on that very square, surrounded by the likes of Burberry and Zegna which have already set up shop nearby. Just next door, ambitious financial brokers now occupy the imposing edifice where Cold War-era politicians once kept the economy so threadbare that stores would often run out of shoes and soap well into the 1980s.

The potent irony and symbolism of such an extraordinary urban transformation certainly isn't lost on most Poles. But this isn't about trying to rewrite a deeply tragic history with shallow designer logos. Kulczyk's foray into luxury fashion is simply another shrewd move for a tycoon who hitherto made his fortune spotting opportunities in less delicate pursuits when the market was just right — cars, oil and beer, to name a few. Although his luxury arcade has yet to be completed and no tenants have been disclosed, representatives of Kulczyk's joint venture with Silverstein Properties have indicated that Ethos, as the arcade will be known, intends to capture the very pinnacle of the market.

Marquee names like Hermès, Chanel, Prada and Dior have been touted by observers as the most likely targets since none of them have yet to stake a claim in Polish soil despite the country's spectacular ascent after joining the European Union ten years ago. Having undergone "shock therapy economics" in the early 1990s to keep it from going bankrupt, Poland in turn shocked the world as it emerged hyper-charged less than two decades later. As the only country in Europe to escape recession during the global financial crisis and, later, as the continent's fastest-growing economy for several years in a row, international investors in many sectors began to see Poland in a whole new light.

It was this revelation that ushered in the first wave of global fashion companies: high street and fast fashion brands. So famished was the market for affordable, trend-led clothing that brands like H&M and Inditex-ownedZara very quickly came to dominate the landscape. H&M now has a whopping 114 stores in every corner of the country compared to just 43 in nearby Russia. Total H&M sales from Poland in 2012 reached the equivalent of about €332 million (about $451 million at current exchange rates) while Russian outlets banked a third less, at around €239 million (about $325 million), although, admittedly, the brand has been present in Poland a few years longer.

Nevertheless, Russia has four times as many people and a far vaster territory, and the comparison shows not only how ubiquitous H&M has become in Poland, but also how lucrative this segment of the market is here. Indeed, this fact has also been the very making of a few big local players in the same arena, like LPP whose portfolio includes Polish brands like Reserved, Cropp, Sinsay, House and Mohito which collectively add up to about 270 retail outlets in Poland and neighbouring countries.

"Besides the fall of communism and joining the EU, the next big milestone that really changed the way people dress here came in 2003 when the first H&M store opened. It made Poles indistinguishable from the youth of other European nations," says Filip Niedenthal, executive fashion editor of Harper's Bazaar Polska which bowed here last year through a partnership between Hearst and Marquard Media Polska.

"Today, Zara, H&M and COS are making a killing in Poland and Warsaw's many shopping malls — like Galeria Mokotow, Zlote Tarasy, Arkadia and Klif — always seem to be packed," he adds. And by most accounts, it's a similar story around the rest of the country from the Stary Browar mall in Poznan and Manufaktura in Lodz to the Galeria Baltycka in Gdansk and the Silesia City Center in Katowice. So popular are malls in Poland that they have put great pressure on city centre, high-street shopping and older department store chains like Peek & Cloppenburg.

Yet during the same period that the high street and mid-premium segments were exploding, the world's leading high fashion groups — LVMH, Kering and Richemont among them — seemed far less interested in Poland's meteoric rise than they did in that of other geographies. According to auditing firm KPMG, the Polish luxury goods market was one of the fastest developing in the world between 2005 and 2010 with actual growth of 50 percent. By comparison, China, Russia and Vietnam, which like Poland experienced an economic blossoming after the opening up of their markets, were of course far more attractive because of their greater scale and greater overall wealth. But this was not the only reason the luxury giants were distracted from entering the likes of Poland until very recently.

"Generally, Polish consumers would rather choose well-known brands with quality and a kind of coolness that doesn't put them on a stage," says Anna Jurgas who began her career at Elle before being appointed editor-in-chief of the Polish edition of Glamour four years ago.

In other words, here, the road to discernment has been a more gradual, prudent and even introspective one, in sharp contrast to the other markets where conspicuous consumption and extravagant taste seemed to grip the fashion-conscious as soon as wealth began flooding in. Although many other former communist countries also endured a century of extreme social upheaval, the hard years in Poland seemed to impact people in a way that made many Poles hesitate before flashing their cash on expensive clothes quite so soon after lifting themselves out of poverty.

"The Polish market's [taste for fashion] can't be compared to something like the Russian one. It's a misconception to believe that, just because we're neighbours, there are significant similarities. Actually, Poland is much more comparable with the Czech Republic or Germany [than to Eastern Europe]," says Arkadiusz Likus, a pioneering Polish retailer who brought brands like Maison Martin Margiela and Ann Demeulemeester to local shoppers ten years ago through the Likus Concept Store he founded, which has outposts in three of the country's most style-conscious cities: Warsaw, Krakow and Wroclaw.

But two years ago, after nurturing an eager client base for his multibrand space, the young chief executive decided that Poland's capital city was now finally ready for a much grander designer emporium and a more varied assortment. Likus duly opened Warsaw's first luxury department store, Vitkac, a stone's throw from the independent fashion boutique thoroughfares of Mokotowska and Koszykowa streets, right around the corner from Three Crosses Square.

With that, the second wave of international brands began to arrive. Likus persuaded Gucci, Lanvin, Bottega Veneta, Saint Laurent and most recently Louis Vuitton, in June, to open monobrand shop-in-shops in Vitkac while diversifying the labels he stocks in the Likus Concept Store which anchors the building.

"Poland’s luxury fashion market is still in its infancy. Don't forget the country only freed itself from communism in 1989. But the luxury fashion market is growing thanks to a huge increase in wealth and disposable income. It's still early stages, but there is solid demand here. So we took a gamble," he says.

If anything, it seems to be a rather astute gamble as the immediate forecasts bode very well. According to Credit Suisse's 2012 Global Wealth Report, there were an estimated 38,000 millionaires (measured in US dollars) in Poland that year, but in just five years time the number is set to more than double to 78,000 by 2017. That means that the number of affluent individuals in Poland will soon outdo the number in Dubai and Abu Dhabi combined, as the entire UAE is predicted to have only 48,000 millionaires by that time, although the UAE's total wealth is, of course, much higher and enjoyed by a considerably smaller population.

At the very apex of the market, the number of Polish super-rich is also expected to swell. In just a decade, high net worth individuals (HNWIs, with assets of at least $30 million) will increase from 799 in 2012 to 1128 according to data provided by The 2013 Wealth Report by Knight Frank Research. As a result, Poland's super-rich should number twice as many as those inneighbouring Ukraine.

"The market here is still very polarised," says Likus. "On the one hand, upmarket shoppers are very knowledgeable about the collections from the world’s fashion weeks, so they seek out the best pieces from a particular brand. But [that means] they need to make a lot of effort to be satisfied... On the other hand, mainstream shoppers are still mainly looking for a bargain. They tend to buy discounted goods and are driven by promotions as opposed to wanting a particular product or brand."

However, the vacuum left by this polarisation has begun to help local, niche and online fashion to flourish. This is arguably Poland's third and most recent fashion wave. Pan-European e-commerce sites like Zalando are growing rapidly here and according to Ewa Kowalewska-Kondrat, founder of one of the country's leading fashion blogs Harelblog.pl, "two big, exciting online stores with Polish fashion appeared in 2011: Mostrami.pl, which is something like a modest Net-a-Porter, and Showroom.pl, which is more like Etsy. And I happen to know that they’re both going very well," she says.

Polish designer labels with a loyal clientele and flagship boutiques such as Ania Kuczynska, Robert Kupisz and Bohoboco have carved out a small but meaningful slice of the market too. But Harper's Bazaar Polska's Niedenthal is more excited about another area of local business. "Suddenly Polish youth labels like Local Heroes, MISBHV and Aloha from Deer seem to be taking over the world. Cheaply made, sold for a lot and worn by Rihanna, Cara Delevingneand Justin Bieber. No Polish designer has that range; that access," he says.

Glamour's Jurgas agrees, citing others like Risk, Made in Warsaw, Nenukko and SHE/s A RIOT. "They're offering a mix of street, sport and elegance at a good price, good quality and as an attractive alternative to mass market brands," she says.

With cheeky, irreverent brands like these bubbling up from within and the next wave of international luxury megabrands and specialty labels about to hit Poland's shores, consumers here now seem ready to embrace a much more diverse palette than ever before. Although this may never be a place where the avant-garde or truly flamboyant feel at home, that doesn't mean Polish shoppers aren't adaptable. And even if the economic tides are not quite as auspicious as predicted — or if the ride along the way is a bit bumpier than expected — this market will cope, explains the editor-in-chief of Poland's fashion trade magazine Moda Forum.

"If you retrace our history, you can see we've all too often been in difficult situations. I think that we've got a 'special gene' to deal with them," says Malgorzata Sobiczewska. "We aren’t afraid of any rollercoaster."
Kriteria Model di Indonesia Fashion Week 2016
INDONESIA Fashion Week (IFW) 2016 akan kembali dihelat pada tahun ini. Perhelatan yang diselenggarakan oleh Asosiasi Perancang dan Pengusaha Mode Indonesia (APPMI) ini digelar di Jakarta Convention Center, Jakarta, mulai 10-13 Maret 2016.
Sama seperti tahun-tahun sebelumnya, IFW 2016 akan menghadirkan fashion show, pameran, hingga talkshow edukasi. Dapat dipastikan banyak desainer yang akan berkontribusi dalam acara fesyen bergengsi ini.
Tidak hanya desainer, IFW 2016 akan diramaikan oleh para model. Ya, tentu saja dalam ajang tersebut keterlibatan para model, sangat dibutuhkan dalam membawakan busana rancangan desainer.
Rabu, 13 Januari 2016 lalu, tim panitia IFW 2016 telah mengadakan audisi model yang berlangsung di Gedung Sapta Pesona, Jakarta. Lantas, model seperti apakah yang nanti akan meramaikan ajang IFW 2016?
Menurut Ian Adrian, desainer sekaligus anggota APPMI, selain melihat ketentuan fisik tim panitia juga mencari para model yang berkarakter.
"Kami mencari model yang berkarakter. Sebab kepribadian model tersebut yang akan memberikan nilai tambah terhadap tampilan busana yang dikenakan," tutur Ian Adrian.
Para model yang mengikuti audisi adalah pria dan wanita. Ada yang wajah asli Indonesia, wajah blasteran, dan wajah oriental. Baik lokal, wajah blasteran, hingga oriental siap meramaikan ajang IFW 2016.
Sejumlah 400 orang lebih, baik pria dan wanita, telah mengikuti audisi kemarin. Dan, 150 orang beruntung yang dapat bergabung dalam perhelatan IFW 2016 mendatang.
Justin bieber  yang mantan penyanyi cilik kini telah bertransformasi menjadi pria cowok ganteng dan keren. Kalau anda merasa memikiki wajah seperti justin bbieber boleh mencoba gaya rambut ini. Terbukti jadi terlihat lebih macho dan gaul serta kekinian. 

Kalaupun anda tidak terlalu mirip dengan justin, namun yang pasti gaya atau model rambut ini sangat cocok untuk para cowok pria dengan bentuk wajah oval alias lonjong. 


















Justin